Monday, September 06, 2010 18:13

Posts Tagged ‘Oregon’

Oregon’s Northern Shore, a Landscape in Motion

Saturday, June 5th, 2010

There may be any number of things to first draw my attention to a scene. Sometimes it’s the color. At another time, it may be the lighting. It may be the texture, contrast, or perceived significance of subject (or, likely, some combination of these things).

Oceanside

Specific to this image, it was the motion that first intrigued me. The longer I studied this scene, the more intent I became on making an image to reflect the motion flowing through it. I wanted to capture its raw power and form altering force.

Given that vision, I knew I had to keep my shutter speed fast enough to preserve the power in those thunderous crashes, yet allow for some gentle blur of breakwater over the boulders.

It became an exercise in patience and timing as, again and again, the waves crashed over the landscape. This image became one of more than one hundred images shot from this location.

Although I’ve kept several dozen of those images, this is only one of two that so closely meets my stated objective. Not only does this one capture the power inherent within this moving landscape, it also offers a complementary contrast in texture from foreground to middle ground. And that bit of magic is what earned this image a seat in my portfolio.

Cheers,
-Mike.

A Contemplative Mood

Tuesday, June 1st, 2010

There are many visual treats along Oregon’s northern coast. I found Ecola State Park on a map and looked it up in a travel guide while preparing for a family vacation. It made our “Must See” list.

We so liked it, we spent a couple of days there, hiking, playing in the ocean, reading, and building sandcastles. Great memories!

A Time to Ponder

I was fascinated by the rock monoliths spread liberally along the coastline. While photographing them against the morning mist, this gentleman inadvertently strolled into my frame. At first, I was anxious for him to move along; however, he seemed in a contemplative mood.

Just as it became apparent he had come to stay, the concept of this image struck me. Now I was anxious for him to stay!

As quickly as I could, I readjusted my camera atop my tripod to place the lone man in the lower left third of the frame. I felt this best suggested his contemplation of the awesome scene before him.

I was able to capture a handful of images before the man was joined by several gulls and other foot traffic. Of the handful, this image best tells the story I saw unfold in my mind’s eye that morning.

Cheers,
-Mike.

Morning’s Hill

Saturday, July 11th, 2009

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My favorite subject is light.  I love to photograph dramatic light.  This scene depicts the contrast found as the fiery burst of morning first invades a slumbering land.

Hours before making this image, I arrived at my perch overlooking Oregon’s Hood River Valley.  At that early hour, the valley was cast in a pre-dawn, infant light.  The pale landscape had not yet revealed its secrets.   I had come to this spot intent on photographing a snow-capped Mount Hood in the breaking dawn.

Having accomplished that, I could not leave – the landscape below me had come to life, its secrets revealed.  Sunlight began popping down the throats of canyons rimming the east, playing wonderfully across the orchards, vineyards, and hills spread throughout this valley.  I continued making photographs until the sun had crested the mountaintops and the entire valley had flooded with light.

This image, Morning’s Hill, is among my favorite captures in that valley.

Moss, Fern, Forrest, Bunker

Saturday, June 20th, 2009

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Came upon this scene while hiking in Oregon’s Ecola State Park, near Indian Beach.  It’s an old concrete bunker built during World War II high on a cliff-top, overlooking the Pacific Ocean.  It once housed radar equipment used to search the north-pacific skies for approaching enemy aircraft.

Long deserted, it now stands quietly amid moss, fern, and forest as a testament to turbulent times.

Being Oregon’s coast, the day was speckled with fog.  The greens of the forest were almost surreal.  The dappled light reaching this scene was nicely diffused.  The fog acted as a giant, photographic soft box in the sky, rendering mostly even light across this scene.


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