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Archive for April, 2009

Conflicted

Sunday, April 26th, 2009
Conflicted

Conflicted

Sometimes, I happen upon a scene that strikes a humorous chord. Such is the case, here.

While strolling the streets of Boston, I observed a one-way street merging at a narrow angle with another one-way street. These signs instruct drivers of prohibited turns.

In working the scene for composition, I imagined these signs were both posted at the terminus of the same street. This seemed humorous to me, given that the night before I had become horribly lost while driving Boston’s labyrinth of one-way streets.

Photographic Evolution . . . the Beginning

Thursday, April 23rd, 2009

What is the quickest route to improving your photographs? One word: composition.

There are other important aspects, to be sure; however, I maintain that no single concept can do more, more quickly, for your photography. Your photographic satisfaction will improve, markedly, as you learn to recognize and apply the artistic rules of composition before each shutter click.

In today’s age of wonderfully brilliant DSLR cameras, a shooter can simply set the camera on full auto and walk away from most scenes with technically passable images (note: I did not say artistic). But, if those images are not pleasingly composed, viewers will not likely linger over them. I’ll be writing more on this, later . . .

(How is that for a tease? Isn’t that how they do it on the Evening News, or on Talk Radio?)

Here, I embark on a series of “How To” essays – sharing my thoughts on topics photographic. What I present is culled from personal experience, much reading, and the kind guidance of others. Of late I’ve had opportunity to work with aspiring shooters who seek to improve their skills. This has given me growth as I’ve worked to articulate my knowledge to facilitate their learning.

I’m still growing and evolving as a person. Given my life-long love of teaching and mentoring, I think this essay initiative may be my next evolutionary step: to combine my passion for photography and writing into a body of work that may benefit people.

So, this is likely a win-win scenario. I get the benefit of crystallizing my thinking and you may find some nugget among my musing that will benefit your quest for better photographic images.

At a minimum, I hope we can enjoy one-and-other’s company and exchange a few ideas. I will manage these essays as an open forum and I welcome your input. Please use the comment feature at the bottom of each entry to contribute your thoughts (you don’t need to reveal your identity if you choose not to, simply use the Anonymous feature).

I’ve titled this essay series: Photographic Evolution. For that has been my journey, and will be for as long as I can lift a viewfinder to my eye. I’ve come across many wonderful, like-minded people who’ve helped guide my development. I look forward to returning that good-karma to other seekers.

There are more essays on the art of composition to follow. Meanwhile, please stay tuned for my next installment in the Photographic Evolution series: The Interpretation and Critique of Photographic Images.

With Gratitude,
-Mike.

Angry Sky at Grand Prismatic Spring

Wednesday, April 1st, 2009

Angry Sky at Grand Prismatic Spring

Angry Sky at Grand Prismatic Spring

This unique view of Yellowstone’s Grand Prismatic Spring is offered on Endura Metallic photographic paper (see below for paper detail), and treated with a water-based, eco-friendly lustre coating.  This coating provides a sheen that visibly enhances the print and provides superior protection. It protects against fingerprints, UV rays, and provides for a richer, enhanced sheen.

Angry Sky at Grand Prismatic Spring is available in four sizes: 8×12, 10×15, 12×18, and 16×24 (to purchase one of these other sizes, please see related listings).

About the Image: Angry Sky at Grand Prismatic Spring
This scene is set in Yellowstone National Park’s Midway Geyser Basin.  I hadn’t been to this area since the forest fire had devastated it.  On this day, I managed to capture the dark clouds of a breaking storm, still dark on the horizon, with fire savaged lodgepole pine standing like toothpicks against the skyline.  The brilliant color of the foreground pool is divided from the dark, fire-charred rise beyond by a thin vapor veil. 

I love to photograph during inclement weather.  It’s more unpredictable as to what you may see.  Such was the case when making this image.  Right place at the right time with the right equipment, the storm broke and the sun poked through the clouds.

About the Area
In 1839, a group of fur trappers crossed the Midway Geyser Basin and wrote of a “boiling lake.” Grand Prismatic Spring is roughly 300 feet long and 250 feet wide and 160 feet deep. The spring has an estimated flow of 560 gallons per minute, at a temperature of 160°F.

The rich colors in the spring result from the bacteria growing around the edges of the mineral-rich pool. The bacteria produce colors ranging from green to red.  During the heat of summer, the colors tend to be more orange and red, whereas in winter the colors tend toward dark green. The center of the pool is a deep blue. 

The play of contrast in this area is visually stimulating.

About Endura Metallic Paper
Endura Metallic photographic paper features a unique pearlescent surface.  When used for fine art applications, the results are truly spectacular. Endura offers natural looking tones, sharp details, and beautifully saturated colors. Plus, Endura is strong – resistant to tearing and curling without any additional lamination.

This paper uses a patented combination of film and laminate layers that result in striking, three-dimensional, lasting images on an ultra-bright background.


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