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Archive for February, 2009

The Dino Epoch

Tuesday, February 24th, 2009

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The long-abandoned fueling station, from which this scene is carved, stands at the crossroads to nowhere – literally . . . 

It’s decaying, quietly, near Utah’s historic Tintic mining district.

As I studied the station in making this image, I was reminded of a hike through the Grand Canyon.  Seeing the evidence of forgotten epochs laid plain in the sedimentary rock.  Almost like a picture book of history. So, too, is a drive along rural America’s forgotten highways.

I call this image The Dino Epoch.  Like the epoch layers of sediment in the Grand Canyon, this Dino-pump relic represents a long-dead past.  A time of cheap gasoline when the combustion engine was all shinny and new.  A quietly hopeful, almost naive time that predates the quickie-mart epoch and our age of sound-bite convenience.

It’s a wonder that such a place is still standing.  It’s more wonderful, still, to have stumbled upon it and to have made this image to prolong its silent vigil at the gates of remembrance.

Look, Ma! No Sqeeky Toy . . .

Monday, February 16th, 2009

fb07l3-07cThis is the first time I’ve photographed my mom since the passing of my father, last summer.  It was fun to work with her, again.  It was better, still, to see her smiling so broadly!  (I didn’t even have to use the sqeeky toy!  Well, I had to threaten once.)

I guess that’s the role of a mother: to laugh at her son’s lame attempts at humor.   None the less, I do like seeing her smile.

She turned 78 in February.  Although life has dealt her a difficult hand, she has never once given up.  Some say she’s had reason to stop trying, confine herself to a wheelchair, or to have a bitter attitude; however, that’s not her way.  She has survived cancer, multiple joint replacements, ulcers, and a bag full of other nasty stuff.

This women is my inspiration.  She’s taught me, by example, to work through obstacles without feeling sorry for myself.  To keep my faith, trust in the goodness of my fellowman, and live as I know I should.

She honored me by spending a few moments in front of my camera.  These few words, here, are simply my latest attempt to honor her.

August’s End

Tuesday, February 10th, 2009

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This is what the hillside behind my subdivision used to look like in August of 2004 . . .

That year, I made this image during the heat of a golden, late August evening. Developers had broken ground about a mile to camera right of this site.

I observed that just as August’s end hung in the air, so too it now clung to the land. I would soon see the end of this serene scene.

Now, this view lingers only in memory. Today, a new subdivision stands to the right of this scene (as in just outside the frame) and they’ve broken ground along the gentle upward slope behind the trees in this scene.

I drove up there this evening and found heavy, earth-moving equipment strewn across the landscape below the mountain. Only the trees remain unmolested, for the moment . . . Soon, even they will be gone and replaced with houses.

One of my favorite contemporary urban-folk artists, John Gorka, wrote a song about the urban sprawl he witnessed in his own corner of the world. He calls it, Growing Houses in the Field. The lyrics are potent and the melody haunting. You can listen here:

John Gorka’s – Houses in the Fields

One point of interest: the gentle slope you see rising up to meet the mountain is the shoreline of an ancient lake, Lake Bonneville. This ancient lake covered much of North America’s Great Basin area for several tens-of-thousands of years, covering much of current-day Utah and parts of Idaho and Nevada. Today, there are three large bodied remnants of that ancient lake, The Great Salt Lake, Utah Lake, and Sevier Lake.

Over the next several years, I expect to see houses standing on the hilltops above where the waters of Lake Bonneville once lapped against this ancient shoreline. Contractors have already crossed that barrier across the valley from us – homes all the way up on the mountain top.

Bummer . . .
-Mike.

Wall Decor: Joseph Smith and Salt Lake Temple

Sunday, February 1st, 2009

A bronze statue of Joseph Smith, the first prophet of the Church of Jesus Christ of Latter Day Saints, is pictured here standing beside a window overlooking the Salt Lake City temple.  An image of the Savior, Jesus Christ, is reflected in the windowpane from a painting across the room.  For Latter Day Saints, the combination of statuette, silhouette, and reflection combine to make this moving image a celebration of truth restored.

I first came upon this scene while waiting to view a movie sponsored by the Church and screened in the Joseph Smith memorial building. While waiting in the lobby, I first noted the placement of the statue before the window overlooking the temple. Although a strong image, I wasn’t yet convinced to pull out my camera and equipment. As I studied the setting, looking for the best perspective, I noticed the reflection in the lower pane. That reflection of the Savior, in my mind, yielded the unique perspective I was hoping to find. I set up my equipment and made this image.

No other image, to date, in my religious-theme wall décor has received so much comment. This image, too, is one of my personal favorites.

This image is available as wall décor in sizes ranging from 4×6 up to 16×24 (inches). I invite you to view it by clicking on the Wall Décor link from the main menu, or by clicking the below link:

Wall Decor Image: Joseph Smith, Temple, and Savior

If you enjoy this type of imagery, take a look at the other prints offered in my Wall Décor section. As always, your comments are welcome.

Enjoy!
-Mike.


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