Monday, September 06, 2010 18:14

Archive for February, 2007

The Far Side Teaches a Simple Truth . . .

Thursday, February 22nd, 2007

Sometimes we learn life-lessons in the most unexpected places. I picked up an important truth from today’s Far Side cartoon. A truth that my parents struggled to teach me and, now, I’m struggling to teach my kids.

I’ve always been a fan of The Far Side cartoon. I was devastated when Gary Larsen, the creator, illustrator, genius behind The Far Side went into retirement some years back. However, at least in rerun, he’s back!

Gary Larsen has put out a 2007 desk calendar (you know, the peal-a-page-a-day kind) featuring some of his finest work from over the years. It’s kind of a Best Of calendar. He did it as a benefit to Conservation International (www.conservation.org/trade), to whom all the profits will go.

Today’s cartoon featured two deer (a doe and a buck), a policeman, and a deer hunter all in the front room of the deer’s home. The buck is laying on the floor, dead, in his overturned chair in front of the television. The hunter is standing in the open entry door with his rifle tucked under his arm. The policeman is examining the hunter’s license in his hand as he addresses the doe. He says, “I’m sorry, ma’am, but his license does check out and, after all, your husband was in season.” And now comes the life-lesson: “Remember, just because he knocks doesn’t mean that you have to let him in.”

How eloquently taught! When trouble comes knocking, we don’t have to open the door . . . I’d like to enlarge today’s Far Side to poster-size and hang it over the dinner table. Before every meal, we could read it and discuss how this knowledge, this agency to open or not open, can potentially impact our lives for good or bad.

So, thank you Gary Larsen for providing me with the visual aid to teach my family such an important concept!

Cheers,
-Mike.

ZCFI-0603 News Letter, pg3 – Big Horn

Sunday, February 18th, 2007

Stately? Taunting? Or just not feeling threatened? This magnificent creature, a desert bighorn sheep, took the time to give me this shot before moving over the hill. This image was captured in December of 2005 at a photography workshop sponsored by Zion Canyon Field Institute (ZCFI) in southern Utah’s Zion National Park.

In a prior post, I had referenced this image, saying that I would scour my files looking for it (I just lost a hard drive after the Holidays, and am lucky to have found this image on a backup disk). The attached image is a page-scan of the Zion Canyon Field Institute’s quarterly newsletter. This issue was published in March of 2006. My image appeared on page three of that issue.

Michael Plyler, Director of the Zion Canyon Field Institute and photography workshop leader, wrote the accompanying article.

-Mike.

B-Ball! Focus to Avoid the Negative . . .

Thursday, February 15th, 2007

“Basketball is like photography: if you don’t focus, all you have is the negative.”
–Dan Frisby

I think the same may be true of all our endeavors in life. Don’t you?

—————————–

Last year (2006) I shot some games and worked up some images for a local little league basketball team. The league is called the Jr. Jazz, given that they are sponsored by the NBA’s Utah Jazz.

This particular team was very well coached and played hard all season. It was a learning experience for me as I watched these players rally their courage and strength each week to play at their best (as a team!) and overcome sometimes tremendous odds. It seemed the harder their opponents would play them the more talented and cohesive this team would become in earning the victory.

I had so much fun shooting them during the season that I ended up organizing my best images into a book to present to their coach. I originally posted these images on my old Xanga site, but since moving here I’ve had several friends suggest that I move these images here as well.

To view the page-by-page flow of this book, please click on this link: www.flickr.com/photos/foxmichael/sets/72157594528362684/show/

 

Thanks for dropping by!

-Mike.

Ancient Canyons: Indian Flute by John Huling

Wednesday, February 14th, 2007
Ancient Canyons

Ancient Canyons

Let me start by stating my opinion: John Huling is to Native American Flute music what Mozart was to classical music . . .

Too strong of a statement? You decide. If you’re a fan of the Native American flute, as I am, and you haven’t yet listened to the music of John Huling, you’re in for a treat. His musical soundscapes are ear-candy, just as the photographic work of the late Ansel Adams is eye-candy. If fact, check this out, John Huling and Ansel Adams were good friends. On John’s website, he states that he and Ansel Adams spent more time playing music together than taking photographs! In the end, John states that the famous photographer taught him much about the art of composition, not only photographically but “especially as applied to music.”

Have you ever visited the Native American Museum at the Smithsonian in Washington D.C.? If so, you’ve already heard the music of John Huling. His music is featured throughout the museum.

John is a multi-talented instrumentalist. His compositions often include native drums, piano, and acoustic guitar. If his musical style has a pinch of that New-Age, “Windham Hill” feel to it, it may be from the influence of his friend, Will Ackerman — the founder of Windham Hill Records.

John masterfully weaves accompaniment into these compositions. Neither the flute nor the accompaniment overpowers the other. It’s like the ideal marriage relationship where both partners bring their unique individualism and, blended together, the resulting union becomes greater than either on their own.

Each track is rather long. They don’t just wet your appetite with a playful tease, they can move you into a meditative alpha state. Or, if used as background music for work, they can help center your focus by masking distracting sounds in the environment.

In the real world, I still drive a desk (art may be my passion but, at this writing, it doesn’t pay the bills!). I work in a numbers intensive environment, requiring attention to detail. I have a lengthy play list of non-vocal, new age and classical music that I set on random play at low volume. I frequently host meetings in my office and have received many comments on the quality of music I use as an underlayment for my environment. More often than not, it’s a John Huling track playing that draws these comments.

Music is a tool. I keep my John Huling-branded tools near at hand for those times I’m either eyeballs-deep in focused concentration or seeking creativity through meditation. Why don’t you take a listen for yourself? Let me know what you think. I’ve shared my opinion, why not share your opinion, too?

Follow this link to the John Huling music samples page: www.johnhuling.com/JohnHulingMusicAudioSamples.htm


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